Special offer. Schubert: the Symphonies
Chamber Orchestra of Europe, Nikolaus Harnoncourt
Awards:
-
Gramophone Magazine, January 2021, Reissue/Archive Issue of the Month
-
Building A Library, March 2024, Recommended Recording
Well known for his deep scepticism and deliberate avoidance of performing tradition, Harnoncourt breathes new life into the music by looking afresh at the sources and encouraging his players...
Special offer. Schubert: the Symphonies
Chamber Orchestra of Europe, Nikolaus Harnoncourt
Purchase product
Awards:
-
Gramophone Magazine, January 2021, Reissue/Archive Issue of the Month
-
Building A Library, March 2024, Recommended Recording
Well known for his deep scepticism and deliberate avoidance of performing tradition, Harnoncourt breathes new life into the music by looking afresh at the sources and encouraging his players...
About
This release celebrates the partnership of the distinguished conductor Nikolaus Harnoncourt (1929-2016) directing the Chamber Orchestra of Europe (COE) in a memorable cycle of the complete Schubert Symphonies at the Styriarte Festival in Graz, Austria during July 1988. Harnoncourt was a notable and perhaps controversial Schubertian who, with his favourite orchestra, set about examining everything afresh. The players he worked with in 1988 talk about the way he changed their perceptions, of discovering Schubert’s work for themselves, ignoring the accretions of previous performance tradition. Harnoncourt wanted Schubert’s music to be on the edge, to rebuild it, testing and evaluating the contribution of each instrument and for the players to take as many risks as they wanted.
Contents and tracklist
Awards and reviews
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Gramophone MagazineJanuary 2021Reissue/Archive Issue of the Month
February 2021
Well known for his deep scepticism and deliberate avoidance of performing tradition, Harnoncourt breathes new life into the music by looking afresh at the sources and encouraging his players to do likewise. The approach has resulted in readings of pulsating energy whose luminous instrumental textures further enhance our enjoyment.
January 2021
These brilliantly played performances, caught in a warm, clear acoustic, at their best marry minute precision of dynamics, accentuation and articulation with a devil-may-care spontaneity. With his characteristic balancing of sonorities – lithe, crisp strings, sharply incisive flutes and oboes, unabashed brass – Harnoncourt is forever seeking out the music’s disruptive, discordant elements.