Special offer. Bartók: Bluebeard's Castle
Mika Kares (Bluebeard), Szilvia Vörös (Judith), Helsinki Philharmonic Orchestra, Susanna Mälkki
Awards:
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Gramophone Magazine, June 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Opera
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Grammy Awards, 64th Awards (2022), Nominee - Best Opera Recording
Both Kares and Vörös offer a subtle, understated approach…As well as conveying the piece’s taut structure and the orchestral writing’s sheer sweep, conductor Susanna Mälkki seeks out the detail...
Special offer. Bartók: Bluebeard's Castle
Mika Kares (Bluebeard), Szilvia Vörös (Judith), Helsinki Philharmonic Orchestra, Susanna Mälkki
Purchase product
Awards:
-
Gramophone Magazine, June 2021, Editor's Choice
-
International Classical Music Awards, 2022, Nominated - Opera
-
Grammy Awards, 64th Awards (2022), Nominee - Best Opera Recording
Both Kares and Vörös offer a subtle, understated approach…As well as conveying the piece’s taut structure and the orchestral writing’s sheer sweep, conductor Susanna Mälkki seeks out the detail...
About
Composed in 1911, Bluebeard's Castle is Béla Bartók's only opera – a radical masterpiece which has secured a place alongside the other innovative music dramas of the same period, from Debussy's Pelléas et Mélisande to Berg's Wozzeck. Planning to write a one-act opera, Bartók settled on a libretto by Béla Balázs with the kind of surreal and/or macabre themes that would soon feature in his two ballets, The Wooden Prince and The Miraculous Mandarin. The main source for the libretto text was a play by Maeterlinck, a retelling of Perrault's gruesome tale of Barbe-Bleue, the sinister yet strangely seductive wife-killer. Balázs turned the drama into what he called a 'mystery play', however, and his stylisation of the story throws the weight of the drama onto stage-setting and music. Susanna Mälkki and the Helsinki Philharmonic Orchestra have already proved their Bartók credentials with a disc of his ballet scores which was chosen as Record of the Week in BBC Radio 3 Record Review and earned top marks in Diapason and on the website Klassik-Heute. Joined by Mika Kares as Duke Bluebeard and his Judit, the Hungarian mezzo-soprano Szilvia Vörös, the team here performs Bartók's darkly glittering, shimmering and threatening score in a live recording from 2020.
Contents and tracklist
- Szilvia Vörös (mezzo-soprano), Mika Kares (bass)
- Helsinki Philharmonic Orchestra
- Susanna Mälkki
Awards and reviews
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Gramophone MagazineJune 2021Editor's Choice
-
International Classical Music Awards2022Nominated - Opera
June 2021
Both Kares and Vörös offer a subtle, understated approach…As well as conveying the piece’s taut structure and the orchestral writing’s sheer sweep, conductor Susanna Mälkki seeks out the detail of Bartók’s tone-painting, exploring, in her assured, potent account, the work’s sense of psychological darkness and secrecy.
June 2021
[Mälkki] seems to know instinctively when to unobtrusively tighten the emotional screw and when to step back and simply let us take in Bartók’s flabbergasting orchestral canvas.
July 2021
Mälkki’s reading of the score with the Helsinki Philharmonic is a thrilling addition to the work’s already big discography...Mälkki certainly presents a more melancholy view of the score than is sometimes heard, very much in keeping with the spirit of what the librettist Béla Balázs called a ‘mystery play of the mind’. Her pacing is generous at the opening, yet she steadily tightens the dramatic tension.
2nd May 2021
This atmospheric and brilliantly played account certainly challenges the finest, with a commanding, younger-than-usual protagonist in Kares — brooding, dark-voiced and sympathetic — and Vörös’s lightish mezzo easily nailing the famous high C at the Castle’s Fifth Door.