Download, Marcello, B (composer)
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Kožená’s dramatic and vocal powers are wonderfully displayed in Gasparini’s kaleidoscope aria ‘Ombre, cure, sospetti’ (with its unrestrained runs and the bursts of emotion in its recitative-like... — More…
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Awards:
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Opus Klassik Awards, 2024, Nominated - Female Singer of the Year
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Taylor brings youthful vitality and flair to these performances, responding to Bach’s ever-changing idiom with quicksilver playing...Admirable, too, are the colours and quasi-orchestral timbres... — More…
Awards:
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BBC Music Magazine, November 2023, Instrumental Choice
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Infermi d’Amore capture the drama of these theatrical scores with a remarkable range of dynamics, timbres and rhetorical gestures. With an ensemble of only ten players, their sound is transparent... — More…
Awards:
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BBC Music Magazine, February 2023, Concerto Choice
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International Classical Music Awards, 2024, Nominated - Baroque Instrumental
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Her playing is breathtaking, first in the bubbling fluency of Vivaldi violin concerto allegros...while her fluent technique elicits some exhilarating tempos. No less arresting is her creamy... — More…
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Special offer. Venetian Cello Sonatas
Under the Shade of Vivaldi
Gaetano Nasillo, Anna Fontana, Sara Bennici, Evangelina Mascardi
The performance by Gaetano Nasillo is nicely done, with a well-rounded tone and considerable depth to his interpretations. He navigates the various difficulties, including the double-stops,... — More…
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Andreas Scholl - Arcadia
Vocal cantatas by Italian composers associated with the Arcadian Academy of Rome
Andreas Scholl (countertenor)
Accademia Byzantina, Ottavio Dantone
Scholl's polished counter-tenor is suitably seductive, his interpretative instincts engaging...The playing of the Italian ensemble Accademia Bizantina, led from the harpsichord by Ottavio Dantone,... — More…
Awards:
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Gramophone Magazine, March 2004, Editor's Choice
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These are wonderful pieces, probably some of the most interesting and progressive of their time..performed with an excellent sense of style by harpsichordist Ottavio Dantone. — More…
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This enterprisingly planned recital confirms Patricia Petibon as a singing actress with few peers in Baroque opera...it is hard to resist the mesmeric intensity of Petibon's singing...[Marcon's]... — More…
Awards:
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Gramophone Magazine, June 2010, Editor's Choice
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Jaroussky’s eternally boyish countertenor might not seem the most obvious vehicle for the Old Testament God’s furious lambasting of Moses in the virtuoso aria from Fortunato Chelleri’s Dio sul... — More…
Awards:
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Presto Editor's Choice, November 2020
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