Presto Recordings of the Year, Rameau (composer)

He’s done it again…it is clear from the outset that this is no lazy selection of favourites…His playing never feels self-indulgent of inappropriate…There is never any doubt that this is Ólafsson’s... — BBC Music Magazine, June 2020, 5 out of 5 stars More…

[Degout] possesses the rare facility to mix raw muscle with the subtlest caresses…In the infernal symphonies that pepper Enfers, the band attacks the score with an almost fiendish ferocity…Don’t... — BBC Music Magazine, June 2018, 5 out of 5 stars More…

[His] supple sensitivity underpins a formidable yet remarkably unshowy expressive power...Feuillâtre’s acute musical intelligence allies with frequent ornamentation...It ’s an exquisite, joyfully... — BBC Music Magazine, June 2023, 5 out of 5 stars More…

[Rondeau's] performance of Le vertigo is a thing of pugilistic wonder, flouncing around like an operatic diva succumbing to a hissy fit…he cuts a virtuosic swathe through Royer’s Marche des... — BBC Music Magazine, July 2016, 4 out of 5 stars More…

His technical strengths emerge clearly in the way in which he negotiates the switchback turns of Vivaldi’s ‘Cada pur sul capo’ (from Artabano), the cascading melodies of Porpora’s ‘Nocchier,... — BBC Music Magazine, July 2023, 4 out of 5 stars More…

spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied... — Gramophone Magazine More…

Though still both around 30, Dunford and Rondeau are already steeped in this rich and subtle repertoire, and play it like they own it …Both also like to indulge in some slowish tempos, but Dunford’s... — Gramophone Magazine, August 2020 More…

Sampson is quite remarkable. She has the capacity to soften the vocal line with carefully controlled vibrato, but also deploys tone of crystalline clarity...bright, vibrant, responsive and entirely... — BBC Music Magazine, August 2014, 5 out of 5 stars More…

He doesn’t let the fact that some of this music is inherently unpianistic get in his way…It’s a beautifully programmed disc – so much so that it begs to be heard complete. And the sense that... — Gramophone Magazine, February 2020 More…

he plays [the Mozart] with restraint, albeit micromanaging the music so that no phrase sounds the same twice...[in the Chopin] Sokolov ranges from introspective musing to his native Russian... — Financial Times, 31st January 2015, 3 out of 5 stars More…