CD, Webern (composer)
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All the pieces on this final instalment of the ‘Prism’ series stand on a threshold, and in this Op 135 Beethoven does so with the vitality and humour of the Diabelli Variations. — More…
Awards:
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Opus Klassik Awards, 2024, Nominated - Ensemble of the Year
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Opus Klassik Awards, 2024, Nominated - Chamber Music Recording of the Year
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a fine demonstration of Leonskaja’s commitment to music whose fascination – and provocation – remains endless. — More…
Awards:
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Presto Recording of the Week, 27th September 2024
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Solo Instrument
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Schoenberg: Pierrot lunaire
RecommendedPatricia Kopatchinskaja (violin/sprechgesang), Meesun Hong (violin), Julia Gallego (flute), Reto Bieri (clarinet), Thomas Kaufmann (cello), Joonas Ahonen (piano), Marko Milenkovic (viola)
Kopatchinskaja’s approach – sharp-focus, hyper-detailed and searching out over-the-top extremes of vocal delivery – is remarkable in its way...The upside is the superlatively precise and stylish... — More…
Awards:
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Presto Recordings of the Year, Finalist 2021
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If IKEA were to make a cello, this would be it…Sow how does it sound? In Steven Isserlis’s hands, remarkably fine – though he only uses it for a handful of evocative miniatures…On Isserlis’s... — More…
Awards:
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BBC Music Magazine, February 2018, Chamber Choice
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On this occasion the limelight is stolen from Schoenberg by Zemlinsky...This music requires little excuse to become overheated, and it is much to the Arod’s credit that they resist the temptation... — More…
Awards:
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Presto Editor's Choice, October 2019
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Gramophone Magazine, November 2019, Editor's Choice
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their new account under Heinz Holliger unfolds at relatively steady tempos, with more compositional logic than late Romantic passion...[Holliger's] deployment of a relatively small string line-up... — More…
Awards:
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Gramophone Awards, 2014, Shortlisted - Orchestral
Purchase product
CD
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George Tsontakis's Man of Sorrows is a six-movement mediation of nearly 40 minutes' duration on Christ's crucifixion. Brilliantly written for the keyboard and scintillatingly orchestrated,... — More…
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Said treats every work on its own merits, in its own language. The personality and significance of each composer is subtly etched with remarkable skill...A gripping recital, tellingly designed... — More…
Awards:
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Gramophone Magazine, March 2015, Editor's Choice
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